Molly Fitzpatrick is the founder of DITTOHOUSE and a dear collaborator who has brought TF’s very first textile collection to life. From afar, we were drawn to her vibrating prints, her unflinching use of color, and her deep reverence for textile history. The experience of working with her has been pure joy, which comes across in everything she touches.

What makes a DITTOHOUSE design?

I strive for my textile designs to have great visual activity. Oftentimes in my work, an intentional secondary pattern emerges, color combinations pulsate and use of lines create an optical reaction. When I achieve this visual response I am celebrating the rhythms of life and hopefully giving that gift to whoever looks at my textiles!

Acknowledging culture and a country's history of textile manufacturing is central to your practice. How did you draw upon the traditions of Japanese printmaking and textiles for this collection?

When you mentioned the possibility of collaborating on a textile produced in Japan, my interest in learning more about the process and the tradition was absolutely piqued. That very day I logged into my Cleveland Public Library account and requested every book in their catalog about Japanese textiles; techniques and traditions, and pored over the stack of books immediately. Double sided printing has always mystified me. Usually featuring simple, but bold shapes, the Japanese household linen patterns are comforting and iconic- becoming a background rhythm to mundane daily tasks and special celebrations alike. I appreciate the tradition very much and wanted to create something in this spirit, while investigating modern processes.

Can you speak about your studio? How do you use this space to work, reflect, and/or play?

We live in the suburbs of Cleveland in a small bungalow style house that had an unfinished 2nd floor when we moved in. My husband, who is a building expert, envisioned and created a light-filled space, efficient in storage, with ample counter space and adorable hide away spots for my kids.

Can you describe what a joyful day of work looks like? What do you enjoy doing after work?

A joyful day starts very early in a clean and organized studio, all the windows open, fresh air and sunshine pouring in, and Dolly Parton playing loud with intense focus! A joyful and more realistic day of work looks like a messy studio surrounded by work-in-progress, weavings fresh off the loom waiting to be resolved, stacks and stacks of my kids art, punctuated by fixing breakfast and reading books to my 2 kids, throwing together a sack lunch to take in a dip in the lake or a nice hike, meeting up with the cousins to play at grandmas, tucking the kids in and working until 2 or 3 am on new designs on my computer, block printing patterns or weaving on my small floor loom.

What drew you to working on this particular project of a double-sided table linen?

Double sided textiles are so special and are often achieved through a reversible weave that features the inverse of the front pattern on the back. Another method of achieving a double sided textile is with the ingenious traditional Japanese stencil technique, featuring the same pattern, front and back, in 2 distinct color combinations. The idea of designing a double sided textile that could not only feature a double sided design, but also varying color and scale thrilled me.